Photographs by André Kirchner 2001–2016
For three decades now, André Kirchner (born 1958) has been one of the stylistically most influential photographers of the city of Berlin. Working in the tradition of analogue black-and-white photography and using a classic view camera, his is an individual artistic position. Presented in series, the leitmotifs of his systematic surveys of aspects of urban space consist of wastelands, city peripheries, free-standing buildings and empty lots, demolition and new construction. In his conceptual series Window Orders, he explores in 24 photographs one of the oldest motifs of photography, the window as both ordering element and part of a planned city space. In austere compositions, he allows visual elements and, by extension, the various temporal layers of Berlin’s urban development to collide. As in many of his works, Kirchner also deliberately seeks situations either awaiting a change in construction or demolition or having just undergone the same. Empty window openings, construction plans, scaffolding, and cranes herald this transformation.
16.Oct 6:00 pm
For thirty years, using a view camera, André Kirchner has been describing Berlin’s changing face in the tradition of analogue photography. His systematic records of the various facets of the city space find their leitmotifs on the city’s fringes: in fallow land, empty lots, leftover buildings and construction sites, in all the demolition and rebuilding. A conversation about his work with the photography curator at the Berlin city museum.
Märkisches Museum Am Köllnischen Park 5 10179 Berlin
Admission 3€ / 2€
14.09. – 9.12.2018
Am Köllnischen Park 5
10179 Berlin - Mitte
T 030 24 00 21 62
Tue–Sun 10–18 h
U2 Märkisches Museum, U8 Jannowitzbrücke
S3, S5, S7, S9 Jannowitzbrücke
Admission 7€ / 4€